Tuareg’s Shop- Multimedia resources showcasing the history, and identity of the Caribbean and other communities in England from 1948 to the present. Includes: social history research documents, oral history stories from community elders, archival photographs, stage plays, illustrations, and videos. Educators can create engaging learning activities across subjects: English, History, Art & Design, Drama, Citizenship, and PSHE. Age code: 11-18. Leave a review to share your experience
Tuareg’s Shop- Multimedia resources showcasing the history, and identity of the Caribbean and other communities in England from 1948 to the present. Includes: social history research documents, oral history stories from community elders, archival photographs, stage plays, illustrations, and videos. Educators can create engaging learning activities across subjects: English, History, Art & Design, Drama, Citizenship, and PSHE. Age code: 11-18. Leave a review to share your experience
This cross-cultural pack is embedded in National Curriculum subjects such as History, English, Art & Design, and Design & Technology. Whether you are a teacher or student this educational resource contains a wealth of information and activities that give an understanding of the cultural and historical links between Jamaica and Britain. For Secondary Schools- Key Stage 3, Year 9 students.
It documents five decades of Jamaican influence on British culture, since Jamaica’s independence in 1962 to 2000. Placing Jamaica in its historical context since its acquisition under British Rule in 1655, it also shows the interconnections between Britain and the development of Jamaica’s distinctive cultural identity. All students from diverse background will benefit from a wide range of activities to further develop their learning skills, knowledge and personal development.
This pack includes three editions:
A 50 - page Learning Book with the use of artifacts, oral histories, quality images, photographs, testimonials, and lesson plans.
It includes 35 pages of Activities and ’ Teachers’ Notes. The activities include comprehension questions as a ‘learning focus’ with differentiation and challenges for extension for more able students. The Teachers’ Notes provide additional contexual information and related links for further research.
Finally, a Unit of Work in Art & Design with lesson plans produced with Burlington Danes Academy, based on Jamaican - born visual artist, George ‘Fowokan’ Kelly’s sculpture, Meditations Beneath Duppy Cherry Tree. It also looks at the work of Pablo Picasso, who had been influenced by African art in the early part of the 20th century.
Supporting DVSs are also available on TES to download
This Bundle contains 4 Research Resources. Each resource shows the contributions made by Caribbean people from London, Nottingham, and Birmingham to 1960s British Arts & Culture—a perfect resource bundle to celebrate Black History Month 2024.
The Swinging Sixties: A Poetic Journey
This poem by Vida Harris gives a cheerful account of Caribbean life in Nottingham in the 1960s. The poem serves as a creative guide for students, illustrating how to weave historical facts into engaging narratives
Age: 11-16, subjects: Poetry, English, Citizenship, Drama, Social History, Research, and Essay Skills.
Two pages in Word and PDF formats.
The resource aids teachers and students in developing knowledge and understanding of the global movement of families and communities, fostering cultural awareness.
Fred Peters: A Musical Journey
Reggae musician Fred Peters shares first-hand experiences of Brixton, London, England in the 1960s, providing essential social history research. Explores the influence of family life, music, fashion, and the club scene in shaping Black British history and identity.
Age: 11-18. Subjects: English, History, Citizenship, Creative Writing & Drama.
Includes four supporting archive images, offering a visual journey into the vibrant 1960s London cultural landscape.
Style in my DNA -e book
Style in my DNA, by Lorna Holder, documents 70 years of Caribbean influence on British fashion. Research book. It is informative and essential in representing black cultural history, fashion, and identity. It is an invaluable resource for fashion studies, black studies, Windrush archive study, research, and social history of London, Birmingham, and Nottingham. The striking photographs and illustrations in the book will help anyone seeking to understand the Caribbean migrant experience.
Age code 11-18 Subjects: Modern History, Art & Design, Art, Citizenship. Classroom topics: Diversity, Identity, Community, Fashion & Textile, Photography & Dressmaking.
208 pages.
Indigo Blue Room -Video
Video of a stage production showing the difficulties a married couple from Trinidad faced, in adapting to life in 1960s Birmingham. The main character, Lattisha, once prosperous and glamorous, could not cope with living in one room, doing manual work, and dealing with her husband, Samson, an unfaithful Calypsonian singer, leading to mental health issues.
Age: 14-18. Subjects: Social History, English & Drama.
A resource to help form the basis of conversation around issues of migration, family life, mental health issues, work, identity, and belonging.
From the stage play Living Under One Roof by Lorna Holder.
This research bundle encourages teachers and parents to create engaging learning activities and comprehension questions for classroom and home learning. It provides a positive account of the significant contribution made nationally by Black British creatives to 1960s popular culture.
A short video from the Jamaica Hidden Histories educational resource pack. Jamaican-born fashion designer, Lorna Holder talks about working as head of young fashion for a leading British dress manufacturer from 1979-1986. Subjects: History, English, Art & Design & Geography – Stage 3, Year 9 students.
The Fifties Art Students of St. Martins: A Glimpse into Cultural Metamorphosis
Embark on a captivating journey with Carole Steyn, a 1950s art student, as she shares her enriching experiences at St. Martins Art School, Charing Cross (1956-1958), witnessing the transformative social and cultural changes in 1950s London.
Key Details:
Age Group: Year 12 students and adults
Subjects: English, Social History, Art & Design, Citizenship
Resource Type: Research resource
Format: 5 pages in PDF and Word document
Content Highlights:
Personal Reflections: Carole Steyn offers a personal and reflective account of her time at St. Martins Art School, capturing the essence of an era marked by cultural evolution.
Fashion and Identity: The cover image featuring Carole’s favorite dress serves as a gateway to explore the influence of fashion on identity, with a nod to Brigitte Bardot’s impact on gingham’s popularity.
Teen Culture Emergence: Carole’s candid narration delves into the emergence of teen culture, a phenomenon that puzzled older generations, including her parents.
Historical Context: The resource provides historical context, offering insights into British popular culture during the 1950s and its impact on the arts scene.
Educational Significance:
Holistic Learning: A valuable resource for Year 12 students and adults, facilitating holistic learning by intertwining art, history, and cultural studies.
Citizenship Exploration: Encourages exploration of citizenship concepts through the lens of cultural change, fostering critical thinking about identity and societal shifts.
Discussion Starter: Serves as a compelling discussion starter for English classes, prompting dialogue on the intersection of art, fashion, and societal perceptions.
Visual Appeal: The inclusion of Carole’s favorite dress as the cover image adds a visually appealing element, engaging learners with the aesthetics of the period.
Conclusion: “The Fifties Art Students of St. Martins” provides a vivid snapshot of an era through Carole Steyn’s eyes, enriching learners’ understanding of the interconnectedness of art, culture, and societal change. It serves as an insightful resource for educators seeking to offer a nuanced exploration of 1950s British popular culture in an educational setting.
Extract from the book Hanging Out by Lorna Holder
This Art and Design - Unit of Work, with a short video focuses on the Jamaican sculpture, George’ Fowokan’ Kelly. Subjects: History, English, Art & Design & Technology, with links to Geography Computing and PSHE, for Key Stage 3, Year 9 students.
In April 2014 Fowokan shared his journey from musician to acclaimed self- taught sculptor and artist with Year 9 students at Burlington Danes Academy in West London. The focus of the session was the all-important spiritual connection with his African roots, culture and heritage as revealed in his sculpture, Meditations Beneath Duppycherry Tree. Under the guidance of Yvonne Bell (Art Teacher & Director of Pastoral Intervention) the students took part in a series of Art and Design lessons inspired by Fowokan’s sculpture for the Heritage Lottery funded project Jamaica Hidden Histories. The Aims of the project are:
To know about great artists, craft makers and designers and understand the historical and cultural development of their art forms.
To produce creative work, exploring their ideas and recording their experiences
To become proficient in drawing, painting, sculpture and other art, craft and design techniques.
This unit of work is based on six double lessons of 90 minutes. The overarching learning aim is for students to learn the value of working through a structured series of activities and media, using photographs to create an image to develop into 3 dimensional clay sculptures.
The pack includes students worksheets, individual pieces of work, and testimonials .
Hanging Out: by Lorna Holder - A comprehensive research resource tailored for Year 12 students and adults, delving into the evolution of British popular culture. This vibrant e-book, boasting 195 full-color pages, explores the transformative shifts in social customs during the 1950s and 1960s. Focused on London, it examines fashion, music, sports, film, entertainment, and protest.
Diverse voices from Brent, Camden, Lambeth, and the City of London share their experiences, highlighting the pivotal role of music and the 1960s club scenes in uniting black and white youth. From sewing 1950s fashion to designer brand obsessions, Mods and Rockers, anti-war protests, and social change, this book makes history accessible and relevant. It features iconic photographic images, creative workshop activities, interviews, oral histories, and exclusive posters created by young participants.
Notably, a dedicated section explores Protest Posters, showcasing them as both political tools and cultural artifacts. Former Labour MP Tony Benn, a panelist at the Hanging Out Anti-War Protest Discussion Forum in 2011, emphasizes the enduring strength of young people’s feelings against injustice and war.
This book is a part of the Hanging Out Youth Culture, Then and Now project, supported by the Heritage Lottery Fund and produced by Full Spectrum Productions. Collaborators include V&A, Museum of London, London Metropolitan Archives, Imperial War Museum, Rich Mix, BFI, Ace Cafe, London Film Academy, Theme Traders, and Tuareg Productions.
Explore the captivating Hanging Out trailer, produced by Lorna Holder, also available on Tes. Attached are the documentary screening poster, project flyer, and a photograph of Tony Benn at the Imperial War Museum.
Attached also, Hanging Out documentary screening poster and project flyer and photograph of Tony Benn at the IWM
Style in my DNA, by Lorna Holder documents 70 years of Caribbean influence on British fashion. Age code 11-18 Subjects: Modern History, Art & Design, Art, Citizenship. Classroom topics: Diversity, Identity, Community, Fashion & Textile, Photography & Dress making. Research book. It is informative and essential in representing black cultural history, fashion, and identity. It is an invaluable resource for fashion studies, black studies, Windrush archive study, research and social history of London, Birmingham, and Nottingham. The striking images in the book will help anyone seeking to understand the Caribbean migrant experience.
The book is also a memoir of Lorna Holder, a child of the Windrush generation. Lorna arrived in the UK from Jamaica in 1959 and was brought up in Nottingham. Graduating with a BA Honours in Fashion and Textiles in 1975, she was the first black graduate in fashion & textiles to pass through the then Trent Polytechnic, now Nottingham Trent University. She went on to be a very successful fashion designer, producer, writer, curator, and an active figure within London’s Caribbean Community.
208 pages
